Spectre has an introspect into what is wrong with modern Bond movies. Namely, that they don't work, because 007 is about action, exotic sceneries, cinematic brilliance, beautiful women, gadgets that go wrong or right, and most of all the wit and charm and atmosphere. I'm not sure when the forma should have changed from exciting to dull, probably around 1995, but it changed before that year. And it should have changed in a productive and interesting way. Instead, it changed to just total dul...
Read Full ReviewFULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/spectre-spoiler-free-review "Spectre fails to reach the tremendous potential of its intriguing narrative and fascinating antagonist, but Sam Mendes still pulls off a decent James Bond flick. The screenplay raises significant issues with an incredibly dull subplot that deeply affects the pacing of a bloated runtime. In addition to this, Christoph Waltz's lack of impactful screentime is disappointing, to say the least, despi...
Read Full ReviewWords can't describe how boring this is.
Read Full Reviewby Sam Smith
Opening titles
by Los Organilleros
In Mexico, Bond enters the hotel at the festival of the dead
by Lila Downs
In Mexico, they come up to the hotel room in the elevator
by Gloria de la Cruz, Los Trovadores de Rogelio Gaspar
[MGM UK Version] In Mexico, they come up to the hotel room in the elevator
by Muertos Vivos
Opening, Mexican day of the dead parade
by Thomas Newman
by Thomas Newman
by Thomas Newman
Plays when Lucia Sciarra's assassination is foiled and she is immediately seduced by Bond, they begin to make passionate love while Lucia tells Bond of Spectre's secrets and how to destroy them
by Thomas Newman
by Thomas Newman